Chuong painting
Passion leads painter to success
As the eldest son of one of
Vietnam’s most noted writers, Kim Lan, painter Thanh Chuong is blessed
by inheriting his family’s traditions as well as the ability to express
himself through his talent. Though not following in his father’s
footsteps, Chuong has made a marvelous success and is a big name in
Vietnam’s artistic community. Thanh Chuong started painting when
he was five years old and has so far produced thousands of distinctive
works, mostly portraying rural landscapes and women. In Chuong’s
pictures, viewers sense a unique creativity and the beauty of
traditional Vietnamese culture. He said he found love and inspirations
from his father.
„My father’s passion has paved the way for me to
access arts and painting. Though a writer, he was particularly
interested in painting and advised his children to pursue this art
form. During my childhood, my father often took me to visit his
friends, many of whom were famed painters, and this sowed the desire of
painting in my mind.“ Chuong said his father taught him to keep his own
style at all costs, to live with it and to die for it because it is
vital for the career of a painter. Without his father, there would
never be today’s made-by-Thanh Chuong pictures. Over the past 50 years,
life experiences, especially those gained during his military service,
have reinforced Chuong’s exceptional painting style. After the
end of war, Thanh Chuong became one of the first Vietnamese painters to
be involved in abstract painting. At that time, he felt that only the
visual language of abstractness can fully express the obsession and
adversity of war. But later, Chuong portrayed things around him from a
more human perspective. His images appear to make people understand
more about the value of peace. Most of his works during this period
featured women, children and peaceful life in rural areas.
Thanh
Chuong has also produced a series of self-portraits. He often draws
himself with a face, which is round and a little bit
out-of-the-ordinary. Chuong says this is a very difficult topic and a
challenge for him because he has managed to make sure that each of his
self-portraits in no way resembles another. He holds that an
artist must pick up new ideas from traditional styles and find new
method of expression, differing from those of predecessors. The
creativity of a painter should be imbued with Vietnamese cultural
identity but should also be modernized in line with the flow of world
arts.
Recently, Thanh Chuong’s picture „Buffalo Boys“ was sold for
US$30,000 at an exhibition in Singapore. One of his paintings has also
been selected by UNESCO for production as an international stamp.
Chuong
says he is pleased with what he has achieved but adds that all this is
in the past; the future is another story and an artist must always be
on the move. He says the basic nature of art stems from people’s daily
lives. Vietnamese painting is imprinted with spontaneity and with the
simple innate relationship between humans and nature. But, he
adds, it has also been influenced by other cultures, particularly
during the French colonial period. It is time, he says, for
contemporary Vietnamese artists to move out of the shadow of French
style so as to form a painting genre imbued with the spirit of
Vietnamese people. Painter Thanh Chuong explains, „I think a successful
painter must present his own character and personality. He must show
people what country and what culture he belongs to, in order to
distinguish himself from others. But, he must also learn from the world
of modern art to avoid being left behind.“ Thanh Chuong has recently
established the „Thanh Chuong Palatial Space“ on an area of more than
10,000 sq.m in Hanoi’s outlying district of Soc Son. He says this
serves as his workplace, an exhibition venue and a place, which
domestic and foreign art lovers can visit. A wide range of painting
works, wooden statues, ceramics and chinaware, representing Vietnamese
cultural values are preserved and displayed at the site, showing their
owner’s passionate love for arts.
Chuong says he regards the „Thanh Chuong Palatial Space“ as the artistic work of his lifetime.